COREMOTION is the working home of Daria Faïn’s interdisciplinary practice, where movement becomes a meeting point for creativity, healing, and spirituality. Known as a choreographer, performer, and teacher, Faïn brings those strands together in weekly classes shaped less as conventional instruction than as experiential inquiry. The emphasis is on embodiment: a way of learning through sensation, attention, and physical intelligence rather than through technique alone. A defining thread in her work is The Prosodic Body, a field of research co-founded with Robert Kocik.
This ongoing inquiry explores language as sound, embodiment, and utmost expression, extending into performance and architecture. Within that framework, movement is not treated as isolated form but as part of a larger expressive system in which voice, rhythm, space, and the body all inform one another. The work carries a distinctly investigative quality, grounded in experimentation and in the belief that expression can be studied as a lived, physical phenomenon.
That same rigor appears in Faïn’s long-running project BEGGING, a hunger strike and performance practice begun in 2012. What started as a personal and professional necessity became a sustained examination of the tensions between performance and economics, opening broader questions about the place of artistic labor within society. This gives COREMOTION an unusually thoughtful character: healing and spirituality are not separated from artistic practice, but placed in direct conversation with social and material realities.
The broader arc of Faïn’s work is one of integration. Performance, research, teaching, and embodied exploration are woven into a practice that treats the body as a site of perception, inquiry, and transformation. Under COREMOTION, movement is approached not simply as exercise or expression, but as a disciplined and expansive mode of understanding.
Daria Faïn
115 Wooster St
#2F
New York, NY 10012
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